Séance I / 2015 (January 2015) concludes the set which follows similar sonic paths, although is embedded with a more mysterious tone within its droning dark ambient frame.īeing housed in an oversized, screen printed cardboard cover, with a 16-page xeroxed booklet it is a fitting closure to the concept and séance cycle. Moving towards the back of the collection, Séance IV / 2014 (July 2014) is a hazy atonal soundscape of shifting analogue drones and creaking sonorities which cyclically build to forceful sonic impact. Séance III/2014 (April, 2014) then evokes a dank catacomb atmosphere with slow pounding ritualised thump, buried chants and abstract scraping/ creaking textural sounds, which at its sonic peak is not too far from a death industrial style. Although drones form the compositional backbone, tense and urgent abstract sounds sweep and pan through the speakers, coupled with sustained atonal horn and string notes which rise to elevated crescendos of almost modern classical proportions (Penderecki certainly comes to mind in the later more animated sections of the piece).
Moving onto Séance II/2014 (March 2014) the track takes a short moment to get going but quickly elevates into a heavily cinematic, ritual ambient soundscape. Séance I/2014 (January 2014) follows, and although still minimalist in style is slightly more animated, with a mid-pointed tonal range and wavering notes looping in a non-melodious patterns. Additionally some distant chants appear to mark the path, and assist in evoking a minimalist meditative aura. Séance I/2013 (November 2013) and is a composition of deep subterranean atmospheres, slow sustained drones generated by sparse bowed and blown instruments.
Arktau eos ai ma ra 2009 series#
The candles have been extinguished transmissions completed”.ĭue to the apparent improvisational nature, the musical output of the Underworld Transmissions series sits more at the abstract end of label’s discography, and in sonic terms this is possibly most comparable to the minimalist style of Aural Holograms (a lone album was released by Aural Hypnox back in 2007). Films were captured during séances and also in the preceding and subsequent sessions that took place in Other Rooms and in the surrounding wilderness. All audio was captured live on tape by using binaural recording technique. Each séance was guided by a unique automatic-portal-portrait reflecting the planetary and stellar distances seen at that particular time in the lodge altar mirror-receiver. In greater sense, apart from personal goals, these séances aimed to bring forth the seasonal currents of the lodge the undertone of the Aural Hypnox label and the artists involved.
The concept was to invite artists from the Helixes collective, in different combinations, to join a séance and to establish through sound and movement an elemental communication. To quote from the cover regarding the concept and series, it states: “Underworld Transmissions was Aural Hypnox label series, filmed and captured on tape in the private séances held in our subterranean lodge located in Oulu, Northern Ostrobothnia. Of those earlier releases each contained two tracks each, thus totalling six tracks and nearly 60 minutes of music on this collated album. This CD represents the closing of the Underworld Transmissions series as it collates together the three earlier cassettes issued in 20. Aural Hypnox – Underworld Transmissions CD Aural Hypnox 2019